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We introduce you to quality electronic music in various genres.
Atlanthes makes his debut on WHIPBASS Records with the release of the ‘Tribu EP.’ It features two tracks with tight techno grooves and high-energy dance beats. The title track, “Tribu,” stays firmly rooted in the techno style (Raw / Deep / Hypnotic). Its rhythm is relentless and designed for the peak moments of the night.
Continue reading “‘Tribu’ by Atlanthes [Techno Raw and Hypnotic]”
A familiar name and top-notch quality. Brooklyn-based DJ/producer Jeff Sorkowitz has finally released his long-awaited track on IN / ROTATION. This isn’t just another track—it’s a return to his roots. Sorkowitz describes “Move Shake” as a return to his “core sound” after a year of experimentation. The result is a ‘mature’ and confident Tech House/Minimal House instrumental that sounds quite fresh and contemporary.
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Nanna Osé’s track “Play Mode” is a spot-on release in the Tech House/Minimal House style. The rhythmic drive is immediately apparent. Next comes the emphasis on percussion. The tempo falls within the standard 130 BPM range, making it easy to mix. Additionally, the kick is dry and tight—it doesn’t get muddled. The bassline is short and repetitive. At the same time, it drives the track forward without overloading the low end.
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Tracks with predictable structures regularly appear in the Melodic House & Techno space. However, not all of them manage to hold your attention over the long haul. In the case of “Only We Know” by Cees feat. solaene, things unfold differently.
On the one hand, it employs a familiar production approach. On the other hand, the track grabs your attention right from the start. The reason lies in the details: a smooth approach, precise dynamics, and vocals that immediately set the right mood for the dance floor.
Continue reading “‘Only We Know’ by Cees (feat. solaene) [Melodic House & Techno]”
Energy in simplicity. That’s exactly how you could describe Statik Lee’s new track, “Stop Go.” On the one hand, there’s a clear lean toward a bass-oriented sound: a tight low end and a springy kick. It’s designed to get the crowd moving, not to show off. On the other hand, the structure leans more toward a tech house approach. Minimal layering. Crisp pauses. Masterful use of space. It’s precisely this that allows the track to breathe. And, importantly, it never loses its intensity.
Continue reading “‘Stop Go’ by Statik Lee [Bass House/ Tech House]”
The groove is primal. The vibe is uplifting. Phree Direxion returns with “Take Me To An Oasis Far Away,” a fresh take on the Tribal and Afro House sound that is currently dominating dancefloors worldwide.
Snowk are back. The duo, known for their releases on the French label Kitsuné Musique, has released a new track, “Iramante.” The track was released on Namy& Records. It features an unusual guest artist—towa ainutronica from Hokkaido. She creates music in the “Ainu-tronica” genre, blending electronic sounds with the traditional Ainu instrument, the tonkori.
Continue reading “‘Iramante’ by Snowk (feat. towa ainutoronica) [Organic /Melodic House]”
Berlin meets London on HARD Recs. Berlin-based Australian artist Ollie Lishman teams up with the female duo The Melody Men. The result is their track “Club Checker.” It was released on June 5 via HARD Recs. The record isn’t just for fun—it’s a test of the audience.
Contemporary tech house suffers from overproduction. Too many ideas. Too much noise. However, SYREETA understands what really matters: it’s not about the number of ideas, but how they’re executed. Her new single, “This Song,” is a textbook example of how one high-quality idea works more effectively than ten chaotic ones.
Brazil’s expansion into tech house continues. This time—without the glitz. Rio de Janeiro isn’t just about beaches and samba. It’s also home to a hard-hitting, industrial sound. Ribguga, one of the main headliners of the new wave, is back. His fresh release, “PILLS,” dropped on the Uprise Music label. This isn’t a summer hit. It’s a brooding, dense track designed to fuel the dance floor.
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