Tag: Spotify

Here you can find posts with tag and the best tracklists from Spotify, listen to top selections in the styles of House, Deep House, Progressive House, Melodic, etc.

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‘Stooopid’ by Rodney Dinkles [TechHouse/Minimal]

Rodney Dinkles’ track “Stooopid” immediately dives into an energetic groove with a fat bassline. It’s typical TechHouse, but with minimal elements that make it more dry and edgy. The whole structure is built on a repetitive hit that keeps your attention, but can seem monotonous after a couple of loops.

Dense sub frequencies are clearly rendered, without obvious excesses, which is typical for minimal sound. However, the dynamics in it can be a bit lacking – I would like more variation in tonality or filtering.

Don’t miss the chance to check out “Stooopid” by Rodney Dinkles – this track will definitely add some experimentation and groove to your playlist or DJ mix!

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‘Lisan Al Gaib’ by Lizwi, LEMITZ, A.S.O.M. [Tribal / Afro House]

This track “Lisan Al Gaib” by duo A.S.O.M. & LEMITZ with vocals by Lizwi is an example of strong production in Tribal/Afro House style, with clear elements of style and some experimental approach. The track takes the listener into an atmosphere where futuristic motifs intertwine with ancient rhythms. There is a combination of modern sound design and traditional African themes.

From the very beginning one can hear the emphasis on percussion – dense and rhythmic groove, typical for Tribal House. The drumming can be described as deep and dry. The extensive use of traditional African percussion, enhances the dynamics of the track, but keeps the club structure.

If you want to feel the powerful synthesis of African rhythms and futuristic sound, you should listen to “Lisan Al Gaib” by A.S.O.M. & LEMITZ with vocals by Lizwi.

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Premiere: ‘Acatamathesia’ by Valera Unusov [Raw/Hypnotic Techno]

“Acatamathesia” is a powerful Raw/Hypnotic Techno track with a real high-octane intensity. Valera Unusov uses dark sound textures and melancholic elements to create an intense atmosphere. It’s not just a track, it’s a whole sonic experience.

Nevertheless, the track is not devoid of melancholy. Atmospheric drops appear in some transitions, which add depth and introspection. These moments create the effect of hypnosis, which is a distinctive feature of the style. The author successfully balances between aggression and thoughtfulness.

Don’t miss the opportunity to immerse yourself in this sound experience – be sure to listen to “Acatamathesia” and let yourself feel the full power of Raw/Hypnotic Techno!

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‘Bila’ by Yannick Mueller, SAMAS [Afro/Organic House]

“Bila” track clearly reflects the characteristic features of Afro House and Organic House. From the first seconds we are captured by the rhythm. Tribal percussion forms a rich texture that attracts and leads. Not just filling the space, but creating a foundation for danceable expression.

The melodic progression is cleverly constructed. It harmonizes with the overall sound without becoming intrusive. An interesting approach is the combination of “live” instruments with synthesizers, which gives the composition a rich volume and texture.

Listening to “Bila”, you immediately feel the influence of Afro House and Organic House. The rhythm penetrates to the very core. Turn it on and listen right now!

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‘Noli Me Intueri’ by Neither Nor [Techno]

Turkish duo Neither Nor continue to delve deeper into dark and energetic techno sounds with their new track “Noli Me Intueri”, out on Jeton Records. This release is part of their fresh EP “Sabir”, and it’s a great combination of raw rhythms and atmospheric synthesizers. No compromises: clean, concise production and a powerful groove. The duo stays true to their style, experimenting with a dark palette of sounds dominated by harsh acid and dynamic bass that rock the dance floor.

If you appreciate deep, dark techno sound with a powerful acid line and impeccable production, “Noli Me Intueri” is a track worth adding to your playlist.

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‘The Key’ by Jewel Kid [TechHouse]

Jewel Kid in “The Key” demonstrates his mastery of groove and bass. The track immediately plunges into deep and rich bass, which, as it is supposed to be in TechHouse, becomes the key element that creates the whole drive.

Vocal samples are added carefully, not overloading the track, but creating additional dynamics and keeping attention. Their loops seamlessly intertwine with the main bass line, enhancing the hypnotic effect. The percussion is kept minimalistic, with crisp hats and claps that hit the beat precisely without distracting from the main groove.

If you’re looking for a track with impeccable groove and energy, Jewel Kid’s “The Key” is worth adding to your playlist – turn it up and feel the bass take over the dance floor!

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‘Wannabe’ by Damian Avila [HardTechno]

“Wannabe” by Damian Avila is purebred HardTechno with distinct Neo Rave elements. The track immediately sets the bar high with BPM at 160, emphasizing its aggressive energy and emphasis on non-stop drive.

The kick drum sounds hard, with a dense, rich bottom end, which is typical for the genre. It sets the foundation on which the rest of the elements are laid down. Kick sounds as if it went through several saturations to maximally “kill” on the dance floor. No compromises, no lightness – typical for the style.

If you are looking for a powerful energy boost and ready for total immersion into the rhythm – you should definitely check out “Wannabe” by Damian Avila.

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‘Turning Around’ by Sternenton [ TechHouse/Minimal]

“Turning Around” [ TechHouse/Minimal] by Sternenton from Switzerland offers an atmosphere of measured but slightly tense movement. The influence of minimalist approach is palpable in it, where sounds are precisely calibrated and strictly dosed.

The synthesizers here have an ambient character. They don’t draw too much attention, but create texture and atmosphere. Light filters, panning and delays make the sound more spatial, slightly blurred. Sounds appear and disappear, creating a sense of pulsation. This gives the listener room for interpretation.

Be sure to listen to “Turning Around” by Sternenton to immerse yourself in the atmosphere of minimalistic groove and subtle sound architecture.

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‘House U’ by Miish [Minimal House]

“House U” by Miish is a clear Minimal House style statement with clear references to the UK house scene. The track plays on classic minimalist approaches, where every element is precisely calibrated and sounds in moderation. It is not overloaded with unnecessary details, which is typical for the style, but at the same time it is charged with the right energy.

“Kick” sets the basis of the track – simple, but dense. It is important that the bass line sounds funky and flexible, it gives the groove fluidity. This technique helps to “keep” the track in motion, keeping its dynamics. The bass here is not overloaded with subs, it’s rather danceable, a bit “technoid”, as you might expect from the influence of the London scene.

If you like minimal house with a funky bassline and a crisp groove, be sure to listen to Miish’s “House U” – a track that will definitely set the dancefloor on fire.

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‘Move Your Soul’ by Tom Wax [Techno]

Tom Wax continues to demonstrate his mastery of Techno PeakTime / Driving production, and his new track “Move Your Soul” is another proof of that. He has staked on aggressive dynamics with a clear structure that fits perfectly in the context of nighttime sets. There are no attempts to complicate the arrangement in this track, but that’s its advantage – each element serves its purpose and knows exactly when to enter.

A powerful kick and a buzzing sub-bass immediately plunge you into a hard but rhythmically balanced groove. The kick sounds tight, not too high in the mix, but it doesn’t lose its importance – a great choice for PeakTime. The bass line complements the kick section, follows a standard pattern, but it’s what creates the foundation needed for the dancefloor.

If you need a track to blow up the dance floor and energize you at the peak of the party – “Move Your Soul” by Tom Wax is exactly what you’re looking for!

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