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French duo Dew together with GABY deliver “Better Forget It” – a track tailored for prime time in a warm club or summer open-air. Everything is built on clear production: the bass rocks without overloading, and the dynamics don’t fail even on a long run-through.
San Pacho returns with new single Go Getta – a TechHouse track with a minimalistic but intense structure. Already at the start a directional, elastic sound is set. The drum is dry and massive. Bass line is tightly “holds” the bottom and is well readable on loud systems.
French DJ and producer Adassiya, known for her bold cultural experiments, presents a new track – “Taki Dana”. A powerful mix of Tech House and Afro House with oriental motifs. Bright percussion, hypnotic vocals and pulsating bass create a balance between club energy and ethnic atmosphere.
Martin Ikin returns to Toolroom with a rework of “Count On You”, an instantly recognizable version of one of the most inspired tracks in dance music. Taking the classic arpeggio to insane constructions, he proves his production dexterity once again. There are no random elements here – just the precise calculation of a studio maestro who knows what will take the dancefloor to the next level.
The track has already been tested by the dance floor, now it’s your speakers’ turn. Turn it up, adjust the volume and let the bass do its thing.
Continue reading “‘Count On You’ by Martin Ikin, Sian-Lee [TechHouse]”
Classics in a new light. Marco Lys takes time-tested material and pumps it up to the level of modern dance floor. This is not a remake for remake’s sake. This is respect for the original, but with an eye on the fresh TechHouse vibe of 2025.
Mike Violinist delivers production without seams – everything is calibrated to the millisecond. “Videogames” sounds like old-school chiptune, but on TechHouse steroids. The sound is rich: fat kick, crisp groove, and synths that feel like they’ve been plucked from the 8-bit era but put through a modern processor.
In the world of Tech House, novelty is rarely loud – groove, form and precision are valued here. But when a track that can warm up the dancefloor appears on the horizon, it arouses interest. “The Power of Speech” by Haskell is just such a case. An energetic, moderately aggressive and precise sounding track that speaks to the dancefloor in its language.
Toolroom is betting on ESSEL again, and justifiably so. Her new track “Look Back” is a classic example of what a working Tech House should sound like: energetic, sexy and without too much noise. It has everything you need for the dancefloor – elastic bass, precise percussion and catchy “riff”.
Domenico Rondinelli continues to pave his way in TechHouse, and “Your Eyes” is a prime example of that. The track keeps a balance between hypnotic rhythmic beats and deep vibes. This is the music of the night, where a pulsating groove is woven into the space, creating a sense of non-stop movement.
When a track has already found its audience, a remix can give it a new direction. Cole Knight’s “Going Higher” originally sounded like a subtle intersection of groovy minimalism and deep house. But in Azzecca’s hands, it’s been given a new character. More pressure, more acid textures, more dark energy. Factory 93 don’t do random releases – this remix is designed to get the dancefloor hyped for the late hours.
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