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R_sound – music blog about techno and house music, music label, dj set and video.
House music is a style of electronic music created by dance DJs in the early 1980s in Chicago and New York.
“Let Me See You Jack” is not just a title, but an invitation to return to the roots of house. Belgian producer Nicky Notch cleverly mixes elements of tech house and old-school groove, presenting everything in a concise and dancefloor-oriented format. There’s no extra gloss here – just rhythm, sample and a clear groove, just like it was done before.
Something fresh constantly pops up in the club rotation. But not everything stays on the dancefloor longer than one run. Today we pay attention to “Terrace Collapse” by Brazilians Classmatic in collab with Crewcutz. The track was released on the wave of current minimal / tech-house, where less is more, and every movement in production has weight.
Summer is bursting in with BPMs in your chest, and if you haven’t updated your playlist yet, now’s the time. We’ve compiled a hot chart of tracks that rock from Berlin to Ibiza, from garage to dawn. A little bit of house, a little bit of techno, a little bit of heat and a lot of vibe. Crank it up, don’t thank us.
Continue reading “Main club tracks of summer 2025 – house and techno selection by editorial staff”
On the border between club directness and radio format accessibility comes “Come Baby Come” – a joint work of AEXCIT and ZAPPA. This track confidently declares itself in the current context of Tech House and Bass House, where minimalism is combined with drive, and vocal hook becomes the main weapon.
On the border between emotional depth and club hypnotic – new release by Zakem and H.NOT. The track I Can’t Breathe continues the line of organic and melodic house, where not sharp moves but subtle feelings are important. It’s not just another release – it’s a reflection of the artists’ approach to sound: restrained, atmospheric and honest.
Crusy continues to rock the club space. Over the last year his name has been consistently on the playlists of top DJs. After a series of collabs, the Spaniard is not slowing down. New single “Kiki” is another step towards a tight, House-infused groove with a hint of old-school and summer vibe. Crusy plays on a proven field, but with confidence and the right accent.
French duo Dew together with GABY deliver “Better Forget It” – a track tailored for prime time in a warm club or summer open-air. Everything is built on clear production: the bass rocks without overloading, and the dynamics don’t fail even on a long run-through.
San Pacho returns with new single Go Getta – a TechHouse track with a minimalistic but intense structure. Already at the start a directional, elastic sound is set. The drum is dry and massive. Bass line is tightly “holds” the bottom and is well readable on loud systems.
Martin Ikin returns to Toolroom with a rework of “Count On You”, an instantly recognizable version of one of the most inspired tracks in dance music. Taking the classic arpeggio to insane constructions, he proves his production dexterity once again. There are no random elements here – just the precise calculation of a studio maestro who knows what will take the dancefloor to the next level.
The track has already been tested by the dance floor, now it’s your speakers’ turn. Turn it up, adjust the volume and let the bass do its thing.
Continue reading “‘Count On You’ by Martin Ikin, Sian-Lee [TechHouse]”
Classics in a new light. Marco Lys takes time-tested material and pumps it up to the level of modern dance floor. This is not a remake for remake’s sake. This is respect for the original, but with an eye on the fresh TechHouse vibe of 2025.
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