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R_sound – music blog about techno and house music, music label, dj set and video.
Night clubs are a concentration of energy, music, ambitions and emotions. Here everyone can enter a completely different dimension, dance and be distracted!
The groove is primal. The vibe is uplifting. Phree Direxion returns with “Take Me To An Oasis Far Away,” a fresh take on the Tribal and Afro House sound that is currently dominating dancefloors worldwide.
Snowk are back. The duo, known for their releases on the French label Kitsuné Musique, has released a new track, “Iramante.” The track was released on Namy& Records. It features an unusual guest artist—towa ainutronica from Hokkaido. She creates music in the “Ainu-tronica” genre, blending electronic sounds with the traditional Ainu instrument, the tonkori.
Continue reading “‘Iramante’ by Snowk (feat. towa ainutoronica) [Organic /Melodic House]”
Berlin meets London on HARD Recs. Berlin-based Australian artist Ollie Lishman teams up with the female duo The Melody Men. The result is their track “Club Checker.” It was released on June 5 via HARD Recs. The record isn’t just for fun—it’s a test of the audience.
Contemporary tech house suffers from overproduction. Too many ideas. Too much noise. However, SYREETA understands what really matters: it’s not about the number of ideas, but how they’re executed. Her new single, “This Song,” is a textbook example of how one high-quality idea works more effectively than ten chaotic ones.
Brazil’s expansion into tech house continues. This time—without the glitz. Rio de Janeiro isn’t just about beaches and samba. It’s also home to a hard-hitting, industrial sound. Ribguga, one of the main headliners of the new wave, is back. His fresh release, “PILLS,” dropped on the Uprise Music label. This isn’t a summer hit. It’s a brooding, dense track designed to fuel the dance floor.
The Minimal Effort label continues to set the standard for intelligent dance music. Tho7’s release, titled We Envy Birds, is not just a track, but rather a sonic hypothesis. Minimalism brooks no fuss: pure house, pieced together from street noises, field recordings, and snippets of dialogue, forms the foundation of the sound. This is the very subgenre that, back in the 2000s, weaned the dance floor off excessive drama and demonstrated that depth can be achieved through simplicity.
Neon Rouge’s new single, “Silk & Smoke,” is a captivating deep house track. A memorable groove blends seamlessly with a powerful bassline. Yet there’s no pretension here. On the contrary, the track sounds soft and deep.
Collaborations have long since ceased to be a novelty. Nowadays, they’re just part of the workflow. And yet, when CVALM, Antâgonite, and Oktave come together in the studio, the result is worth paying attention to. Their collaborative track, “Don’t Look Back,” is exactly what high-quality dance music should sound like in 2026.
Continue reading “‘Don’t Look Back’ by CVALM, Antâgonite, Oktave [Melodic House & Techno]”
Kos:mo is gradually shifting his focus toward a broader audience. At the same time, he hasn’t abandoned his club identity. “Bring It Back” captures this transition perfectly. On the one hand, the track sounds more accessible. On the other, it retains the energy needed for the dance floor.
The tempo stays in the Tech House range. The groove is tight, and the rhythmic grid swings with the characteristic sway of the genre. Drums are clear, and the bassline runs cyclically. However, the sound leans toward Peak Time Techno. The synths are intense.
Continue reading “‘Bring It Back’ by Kos:mo (feat. Jabul)”
The market is oversaturated. Hundreds of tracks are released every week. But sometimes something happens that makes you put your skepticism aside and just hit play. Meet: Maxi Meraki, Mahmut Orhan, and… Vanilla Ice. Yes, you heard that right. This trio has released “Ice Ice Baby 2026.”
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